NEARLYOLOGY BIBLIOGRAPHY

APPENDIX 1: NEARLYWRITING NEARLYOLOGY

CITATIONS

        Aarseth, P.E.J. (1997) Cybertext: Perspectives on Ergodic Literature. Baltimore: The Johns Hopkins University Press.

Abba, T. (2007) Grammar. Form and Content for Interactive Narrative. PhD Bristol School of Art.

Abramson, M. & Goldringer, S. (1997) ‘What the reader’s eye tells the mind’s ear: Silent reading activates inner speech’ in Perception & Psychophysics vol. 59 pp. 1059-68.

Academy Inegales (2015), A Field Guide To Getting Lost. Performed by Academy Inegales, conducted by Peter Wiegold [Club Inegales, London, December 2015].

Albertine, V. (2016) Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. London: Faber & Faber.

Alldaybreakfast (2017) Alldaybreakfast. Available at: http:www.alldaybreakfast.info (accessed 17 April 2017).

Alter, A. (2015) Miranda July Blurs Fiction and Reality to Promote a Novel. Available at:

new york times (accessed 17 April 2017).

Atkinson, K. (2013) Life After Life. London: Doubleday.

Attlee, J. (2018) The Cartographer’s Confession. Available from: https://ambientlit.com/cartographersconfession (accessed 1 March 2018).

Baldick, C. (2008) The Oxford Dictionary of Literary Terms. Oxford: OUP.

        Barber, J. (2015) ‘Finding a Place in Society; Finding a Voice’ in Wiegold, P. & Kenyon, G. (eds.) Beyond Britten: The Composer and the Community. Woodbridge: Boydell Press.

        Barrass. J. (2017) Judy Barrass – Artist. Available from: http://judybarrass.com (accessed 17 April 2017).      

        Barthes, R. (1991) S/Z, An Essay. New York: Hill and Wang.

        Barthes, R. (1993) Image Music Text. London: Fontana Press.

        Berger, J. (2016) Confabulations. Harmondsworth: Penguin Books.

Bird. J. (2017) http://www.jaybird.org.uk/

        Bishop, C. (2012) Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso Books.

Blast Theory (2015) Karen [App]. Available at: Apple App Store (downloaded 15 January 2016).

Bookfutures (2017) Feedback from Nearly Events. Available at: http://www.bookfutures.com/2017/04/nearly-feedback.html (accessed 19 April 2017).

        Borges, J.L. (2000) Labyrinths: Selected Stories and Other Writings. Harmondsworth: Penguin Classics.

Bottoms, G. (2007) The Colorful Apocalypse: Journeys in Outsider Art. Chicago: University of Chicago Press.

Buuck, D. (2013) What is Performance Writing? Available at: http://jacket2.org/commentary/what-performance-writing (accessed 11 April 2017).

Cave, N. (2010) The Death of Bunny Munro. Edinburgh: Canongate.

        Cervantes M. (2003) Don Quixote. Harmondsworth: Penguin.

Chapman, H. (2017) What is Literary Fiction (and What Sets it Apart)?. Available at: http://www.novel-writing-help.com/literary-fiction.html

Charman-Anderson, S. (2014) Why the Self Publishing Shit Volcano Isn’t Going to Stop Erupting Any Time Soon. Available at: http://chocolateandvodka.com/2014/02/05/why-the-self-publishing-shit-volcano-isnt-going-to-stop-erupting-any-time-soon/ (accessed 11 April 2017).

Dale, L. (2015) Responses to Self Harm: An Historical Analysis of Medical, Religious, Military and Psychological Perspectives. North Carolina: McFarland.

Davies, O. (2012) Magic: A Very Short Introduction. Oxford; New York: Oxford University Press.

Debord, G. (1955) Introduction to a Critique of Urban Geography. Available from: http://www.cddc.vt.edu/sionline/presitu/geography.html (accessed 17 April 2017).

Dena, C. (2014) ‘Transmedial Fiction’ in Ryan, M-L., Emerson, L. & Robertson, B.J. (eds.) The Johns Hopkins Guide to Digital Media. Baltimore: The Johns Hopkins University Press.

Deleuze, G. (2014) Difference and Repetition. London: Bloomsbury.

Dinehard, S. (2015) Transmedial Play: Cognitive and cross-platform narrative. Available from: http://narrativedesign.org/2008/05/transmedial-play-cognitive-and-cross-platform-narrative/ (accessed 18 April 2017).

Drucker, J. (2014) ‘E-books’ in Ryan, M-L., Emerson, L. & Robertson, B.J. (eds.) The Johns Hopkins Guide to Digital Media. Baltimore: The Johns Hopkins University Press.

        Eco, U. (1976) A Theory of Semiotics. Indiana: Indiana University Press.

Elkin, L. (2016) Flâneuse: Women Walk the City. London: Chatto & Windus.

Fernyhough, C. (2016) The Voices Within: The History and Science of How We Talk to Ourselves. London: Profile Books.

Foster, H. (2015) Bad New Days: Art, Criticism, Emergency. London; New York: Verso.

Forster, E.M. (2012) Howards End. Harmondsworth: Penguin Classics.

Fournel, P. (2014) Dear Reader. London: Pushkin Press.

Freeman, M. (2016) Historicising Transmedia Storytelling: Early Twentieth-century Transmedia Story Worlds. New York: Routledge.

Freud, S. (1911) Formulations on the Two Principles of Psychic Functioning. Harmondsworth: Penguin.

FunDza (2017) FunDza Literacy Trust. Available at: http://fundza.co.za (accessed 2 April 2017).

Genette, G. (1997) Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press.

Gioni, M. (ed.) (2013) La Biennale di Venezia. 55^a Esposizione internazionale d’arte. Il Palazzo Enciclopedico. Venice: Marsilio.

        Grosz, S. (2014) The Examined Life: How We Lose and Find Ourselves. Vintage: London.

        Guertin, C. (2013) ‘New Narratives in a Post Narrative World’ inSiemens, R. & Schreibman, S. (eds.) A Companion to Digital Literary Studies. Chichester, West Sussex: Wiley-Blackwell.

        Hall, S. (2007) The Raw Shark Texts. Edinburgh: Canongate.

Hancox, D. (2017) ‘From subject to collaborator: Transmedia storytelling and social research’ in Convergence 23, pp. 49-60.

        Harvie, J. (2013). Fair Play – Art, Performance and Neoliberalism. Hampshire; New York: Palgrave Macmillan.

Hayles, N.K. (2017) Electronic Literature Organisation: What is e-lit? Available at: https://eliterature.org/what-is-e-lit/ (accessed 11 April 2017).

Heddon, D. & Myers, M. (2017) ‘The Walking Library: Mobilizing books, places, readers and reading’. Performance Research, 22:1, 32-48, doi: 10.1080/13528165.2017.1285560

Heidegger, M. (1959) Discourse on Thinking. New York: Harper & Row.

Higgins, C. (2010) A Plague on the Twitter Romeo and Juliet. Available from: http://www.theguardian.com/culture/2010/apr/27/romeo-juliet-twitter-rsc (accessed 13 April 2017).

Hinton, T. (1990) Marshalled Arts: A handbook for arts in libraries. London: AAL Publications.

        Hopper, K. (1995) Flann O’Brien: A Portrait of the Artist as a Young Post-modernist. Cork, Ireland: Cork University Press.

        House, R. (2013) The Kills, London: Picador.

        Ifsopoets (2013) Set Poetry Free. Available at: https://ifsopress.com/publications/set-poetry-free/ (accessed April 2017).

Ingold, T. (2000) The Perception of the Environment. London; New York: Routledge.

Ingold, T. (2011) Being Alive: Essays on Movement, Knowledge and Description. London; New York: Routledge.

Institute for the Future (2016) Foresight Studio: What to Expect. Available at: http://www.iftf.org/iftf-you/programs-initiatives/foresight-studio/foresight-studio-details/ (accessed 13 April 2017).

Jansson, A. (2013) Mediatization and Social Space: Reconstructing Mediatization for the Transmedia Age. Media and Communication Studies, Karlstad Sweden: Karlstad University.

        Jenkins, H. (2007) Available from: http://henryjenkins.org/2007/03/transmedia_storytelling_101.html (accessed 15 April 2017).

Jenkins, H. (2008) Convergence Culture: Where Old and New Media Collide. New York: New York University Press.

Jenkins, H., Ford, S. & Green, J. (2013) Spreadable Media. New York: New York University Press.

Jenkins, H. (2016) Transmedia What? Available from: https://immerse.news/transmedia-what-15edf6b61daa

Jewitt. C. (2005) ‘Multimodality, “Reading”, and “Writing” for the 21^st Century’ in Discourse: studies in the cultural politics of education. Vol 26, No 3. London: Routledge.

        July, M. (2015) The First Bad Man. Edinburgh: Canongate Books Ltd.

July, M. & Fletcher, H. (2007) Learning to Love You More. Munich; New York: Prestel.

Jurkowski, H. (1983) ‘Sign Systems of Puppetry’ in Aspects of Puppet Theatre. London: Palgrave Macmillan.

Keen, A. (2008) The Cult of the Amateur: How blogs, MySpace, YouTube and the rest of today’s user-generated media are killing our culture and economy. London: Nicholas Brealey Ltd.

Kim-Cohen, S. (2009) In the Blink of an Ear: Toward a Non-cochlear Sonic Art. New York: Continuum International Publishing Group Ltd.

King, S.K. (1990) Urban Shaman. New York: Simon & Schuster.

        Knausgaard, K.O. (2013) A Man In Love: My Struggle Book 2. London: Vintage Digital.

        Kress, G. & van Leeuwen, T. (2001)  Multimodal Discourse: The Modes and Media of Contemporary Communication. Oxford UK: Oxford University Press.

        Lanier, J. (2013) Who Owns the Future? Harmondsworth: Penguin.

        Laurel, B. (2013) Computers as Theatre. Boston: Addison-Wesley Professional.

        Lea, S. & Hartigan, L.R. (2015) Joseph Cornell: Wanderlust. London: Royal Academy of Arts.

        Lely, J. & Saunders, J. (2012) Word Events: Perspectives on Verbal Notation. London; New York: Continuum.

Lessing, D. (2008) The Golden Notebook. Available at: http://thegoldennotebook.org/ (accessed 19 April 2017).

        Leuner, Kirstyn, (2014) ‘Book to E-text’ in Ryan, M-L., Emerson, L. & Robertson, B.J. (eds.) The Johns Hopkins Guide to Digital Media. Baltimore: The Johns Hopkins University Press.

        Leung, A. (2017) Nearly. Available at: https://soundcloud.com/iamandyleung/nearly (accessed 19 April 2017).

Levy, D. (2014) Things I Don’t Want to Know. Harmondsworth: Penguin.

        Lott, T. (2015) ‘Guest Contributions’ in Kennedy, A.L. & Gunesekera, R. (eds.), Novel Writing, A Writers’ and Artists’ Companion. London: Bloomsbury.

Mason, B. & Thomas, S. (2008) A Million Penguins: Research Report.Available at:http://www.ioct.dmu.ac.uk/documents/amillionpenguinsreport.pdf (accessed 19 April 2017).

McCorduck, P. (1994) Laurie Anderson: America’s Multi-Mediatrix. Available from: https://www.wired.com/1994/03/anderson/ (accessed 12 April 2017).

McGonigal, J. (2016) Aspen Lecture, The Future of the Imagination. Available at: http://www.aspenideas.org/sites/default/files/transcripts/The-Future-of-Imagination.pdf (accessed 16 April 2017).

McLuhan, M. (2011) The Gutenberg Galaxy: Centennial Edition. Buffalo; Toronto: University of Toronto Press.

Meade, C. (2008) In Search of Lost Tim, A Magical Musical Graphical Digital Fiction. Available at: http://www.insearchoflosttim.blogspot.com (accessed 18 April 2017).

Meade, C. (2014) Nearlyology – Making a Transmedia Novel. Available at: http://www.thewritingplatform.com/2014/08/nearlyology-making-a-transmedia-novel/ (accessed 18 April 2017).

Meade. C. (2016) Hack The Book Available at: http://www.bookfutures.com/2016/01/hack-book.html (Accessed January 1 2018)

Meade, C. (2017) What Didn’t Quite – The Website. Available at: http://www.nearlyology.net (accessed 18 April 2017).

Meade, C. (2017a) Nearly Interviews [Podcast]. Available from: https://soundcloud.com/nearlysongs/nearly-interviews (accessed 18April 2017).

Meryton (2010) The Meryton Assembly: Jane Austen Fan Fiction. Available at: http://meryton.com (accessed 18 April 2017).

        Moody, R., Cardinal, R., Pilkington, M., Rousseau, V., Wertheim, M. & Rugoff, R. (2013) The Alternative Guide to the Universe. London: Hayward Publishing.

Moonbot Studios (2012) The Fantastic Flying Books of Mr. Morris Lessmore [App]. Available at: http://morrislessmore.com/?p=app

Murray J.H. (2011) Inventing the Medium, Principles of Interaction Design as a Cultural Practice. Available from: https://inventingthemedium.com/tag/replay-story/ (accessed 1 March 2018)

MP Digital (2016) John Buchan’s The 39 Steps [App]. Available at: Apple App Store (downloaded January 2015).

Museum of Everything (2017) Museum of Everything. Available from: http://www.musevery.com/#main (accessed 15 April 2017).

Nelson, R. (ed.) (2013) Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke:Palgrave Macmillan.

New Media Writing Prize (2017) Past Winners. Available at: http://newmediawritingprize.co.uk/past-winners (accessed December 2016).

        O’Brien, F. (2010) The Third Policeman. London: Harper Perennial.

        Obrist, H.U. (2015) Ways of Curating. Harmondsworth: Penguin.

        Pamuk, O. (2010) The Museum of Innocence. London: Faber & Faber.

        Pamuk, O. (2012) The Innocence of Objects. New York: Abrams.

Parras, J. (2012-17) William Paterson University Mapliterary: Experimental Fiction. Available at: http://www.mapliterary.org/on-experimental-fiction.html (accessed 10 January 2018).

Pessoa, F. (2002) The Book of Disquiet. Harmondsworth: Penguin Classics.

        Phillips, Adam (2012) Missing Out: In Praise of the Unlived Life. London: Hamish Hamilton.

Phillips, Andrea. (2012) A Creator’s Guide to Transmedia Storytelling: How to Captivate and Engage Audiences across Multiple Platforms. London: McGraw-Hill Professional.

Rafferty, T. (2011) Reluctant Seer. Available from: http://www.nytimes.com/2011/02/06/books/review/Rafferty-t.html?_r=0 (accessed 15April 2017).

        Roppola, T. (2015) Designing for the Museum Visitor Experience. London: Routledge.

Rothman, J. (2014) Available from: http://www.newyorker.com/books/joshua-rothman/better-way-think-genre-debate (accessed 15 April 2017).

Ryan, M-L. (2005) Narrative and the Split Condition of Digital Textuality. Available at: http://www.dichtung-digital.de/2005/1/Ryan/ (accessed 8 September 2016).

Scolari, C.A. (2009) ‘Transmedia Storytelling: Implicit Consumers, Narrative Worlds, and Branding in Contemporary Media Production’ in International Journal of Communication 3.

Sculthorpe, G. & Carty, J. (2015) Indigenous Australia: Enduring Civilisation. London: British Museum Press.

Searle, A. (2012) Tino Sehgal: These Associations. Available at: https://www.theguardian.com/artanddesign/2012/jul/23/tino-sehgal-these-associations-review (accessed 18 April 2017).

        Simmons, S. (2013) I’m Your Man: The Life of Leonard Cohen. London: Vintage.

Singh, A. (2012) Jonathan Franzen: E-books are Damaging Society [Online]. Available from: http://www.telegraph.co.uk/culture/hay-festival/9047981/Jonathan-Franzen-e-books-are-damaging-society.html (accessed 23September 2016).

Six to Start (2016) Zombies, Run! (Version 5.1.2.) [Mobile app]. Available at: Apple app store (downloaded January 2017).

Skains, L. (2016). Creative Practice as Research: Discourse on Methodology. Available at:http://scalar.usc.edu/works/creative-practice-research/index (accessed 11 April 2017).

Snapes. L. (2016) Christine and the Queens. Available at: https://www.theguardian.com/global/2016/sep/04/christine-and-the-queens-heloise-letissier-interview (accessed 3 April 2017).

        Solnit, R. (2006) A Field Guide to Getting Lost. Edinburgh: Canongate Books.

Solnit, R. (2006a) Wanderlust: A History of Walking. London: Verso Books.

Solnit, R. (2015) The Encyclopedia of Trouble and Spaciousness. Texas: Trinity University Press.

Stampe, J. (2017) Joakim Stampe. Available from: http://joakimstampe.wixsite.com/joakim-stampe (accessed 18 April 2017).

Steele, T. & Tatge, A. (2013) Dyad [Freud Museum, London, 23October 2013].

Sterne, L. (1996) Tristram Shandy. Ware, Hertfordshire: Wordsworth Editions.

Stevens, J. (2011) Available from: http://www.sfsignal.com/archives/2011/06/the_emptiness_of_literary_fiction_and_the_stereotyping_of_genre_literature/ (accessed 15April 2017).

Sweney. M. (2017) Available from: https://www.theguardian.com/books/2017/apr/27/screen-fatigue-sees-uk-ebook-sales-plunge-17-as-readers-return-to-print (accessed January 2018).

Team 24hr Book (2009) A Vauxhall Chorus: The 24 Hour Book. Brighton: CompletelyNovel.com.

Tender Claws (2014) Pry [App]. Available at: Apple App Store (downloaded 12 September 2015).

Thomas, S. (2014) Technobiophilia. London: Bloomsbury.

Thompson, J.B. (2011) ‘Shifting boundaries of public and private life’ in Theory, Culture and Society, 28(4), 49-70. doi: 10.1177/0263276411408446

Toschi, A. (2009) Convergence Culture and Transmedia Storytelling. California: California State University.

Touch Press (2016) War Horse [App]. Available at: Apple App Store (downloaded 10 January 2014).

Touch Press (2016a) The Wasteland [App]. Available at: Apple App Store (downloaded 4 December 2012).

Van Riel, R. & Fowler, O. (1996) Opening the Book. Bradford: Bradford Libraries.

Verón, E. (1985) ‘El análisis del “Contrato de Lectura”, un nuevo método para los estudios de posicionamiento de los soportes de los media’ in Les Medias: Experiences, recherches actuelles, aplications. Paris: IREP.

Visel.D. & Stein. B. (2010). ‘Mao, King Kong and the Future of the Book’ in Triple Canopy, Issue 9. Available at: https://www.canopycanopycanopy.com/contents/mao__king_kong__and_the_future_of_the_book (accessed 1 January 2018).

Watson, B. (2004) Derek Bailey and the Story of Free Improvisation. London; New York: Verso Books.

        Watterson, B. (2012) The Complete Calvin and Hobbes. Missouri: Andrews McMeel Publishing.

        Wiegold, P. & Kenyon, G. (eds.) (2015) Beyond Britten: The Composer and the Community. Woodbridge: Boydell Press.

Yalom, I.D. (2013) Love’s Executioner. London: Penguin.

Zephaniah, B. (2016) Available from: http://benjaminzephaniah.com/benjamins-britain/ (accessed 21 September 2016).

Zollo, P. (2003) Songwriters on Songwriting. USA: Da Capo Press.

Zunshine, L. (2006) Why We Read Fiction: Theory of Mind and the Novel. Ohio: Ohio State University Press.

APPENDIX 2: NEARYWRITING NEARLYOLOGY

BIBLIOGRAPHY

        Abbott, H.P. (2008) The Cambridge Introduction to Narrative. Cambridge; New York: Cambridge University Press.

        Abrams, J.J. & Dorst, D. (2013) S. Edinburgh: Canongate Books.

Alexander, B. (2011) The New Digital Storytelling: Creating Narratives with New Media. Connecticut: Praeger Publishers Inc.

Almond, D. (2016) Half a Creature from the Sea: A Life In Stories. London: Walker Books.

Almond, D. (2014) The Tightrope Walkers. London: Penguin. 

Anderson, L. (1993) Stories from the Nerve Bible: A Retrospective:1972-1992. New York: Harper Perennial.

Atavar, M., 2009. How to be an Artist. London: Kiosk Publishing.

Atkinson, K. (2015) A God in Ruins. London: Black Swan.

Bhaskar, M. (2013) The Content Machine: Towards a Theory of Publishing from the Printing Press to the Digital Network. London ; New York: Anthem Press.

Bion, W.R. (1962) The psycho-analytic study of thinking; a theory of thinking. Available from: http://icpla.edu/wp-content/uploads/2014/09/Bion-W.-A-theory-of-thinking-The-PsychoAnalytic-Study-of-Thinking.pdf  (accessed: April 24 2017).

        Bishop, C. ed. (2006). Participation. London; Cambridge, Mass: Whitechapel Art Gallery.

Blackmore, S. (2010) Consciousness. London: Routledge.

Brite, Poppy, Z. (1992) Lost Souls. London: Penguin Books.

Brook, P. (2008) The Empty Space. London: Penguin Classics.

Cage, J. (1994) Silence: Lectures and Writings. London: Marion Boyars.

        Guardia Calvo, I. (2014) ‘Breaking the story in transmedia narratives: creating spaces for social action’ in Fonseca: Journal of Communication Salamanca: University of Salamanca.

Carey, P. (2011) True History of the Kelly Gang. London: Faber & Faber.

Carpenter, J.R. (2015) A Handmade Web. Available at:  http://luckysoap.com/statements/handmadeweb.html. (accessed 17 April 2017).

Carpenter, J.R. (2016) ‘In the event of a variable text’ in Convergence 23.

Carr, N. (2011) The Shallows: How the Internet is Changing the Way We Think, Read and Remember. London: Atlantic Books.

        Coe, J. (2015) Number 11,  London: Viking.

Cope, B. and Phillips, A. (2006) The Future of the Book in the Digital Age. Oxford: Woodhead Publishing Ltd.

Coverley, M. (2012) The Art of Wandering: The Writer as Walker. Harpenden England: Oldcastle Books.

Coverley, M. (2010) Psychogeography. Harpenden, Herts: Pocket Essentials.

        Creative Spirits (2017) Deep Listening. Available at:  https://www.creativespirits.info/aboriginalculture/education/deep-listening-dadirri#axzz4fIPvt9GN  (accessed 17 April 2017).

        Daniell, D.S., (1958). Flight One: Australia. London: Ladybird Books Ltd.

        Delwiche, A., Henderson, J.J., (2012) The Participatory Cultures Handbook. New York: Routledge.

Doniger, W. and Eliade, M. (2004) Shamanism: Archaic Techniques of Ecstasy. Princeton, NJ: Princeton University Press.

Eagleman, D. (2009) Sum: Tales from the Afterlives. Edinburgh: Canongate Books.

Egan, J. (2011) A Visit To The Goon Squad.  London: Constable.

Filer, N. (2013) The Shock of the Fall. London: Harper Collins.

Fireman, G.D. &McVay, T.E. (2003) Narrative and Consciousness: Literature, Psychology, and the Brain. Oxford: Oxford University Press.

Forbes. P. Conceptual Continuity and the Nearly Songs. Available from: http://www.pforbes.org/blog/conceptual-continuity-and-the-nearly-songs. (Accessed 3 April 2017).

Hensher, P. (2004) The Fit. London: 4^th Estate.

Hensher, P. (2008) The Northern Clemency. London: Harper Collins.

Ingold, T. (2007) Lines: A Brief History. London ; New York: Routledge.

Kahn, D. (2001) Noise, Water, Meat: A History of Voice, Sound, and Aurality in the Arts: A History of Sound in the Arts. Cambridge, Mass: MIT Press.

        Keneally, T. (2010) Australians: Origins to Eureka. Crows Nest, NSW: Allen & Unwin.      

Lanier, J. (2011). You Are Not A Gadget: A Manifesto London: Penguin.

Lindren, A. (2012) Pippi Longstocking. Oxford: OUP Oxford.

Lund, K. (2008) ‘Listen to the Sound of Time: Walking with Saints in an Andalusian Village’ in: Ingold, T. & Vergunst, .L. ed. London: Ashgate Publishing.

Maclagan, D. (2009) Outsider Art: From the Margins to the Marketplace. London: Reaktion Books.

Maizels, J. (2009) Outsider Art Sourcebook: Art Brut, Folk Art, Outside Art. Herts: Raw Vision Ltd.

Marshall, L. (2008) The Body Speaks: Performance and Physical Expression. London:Methuen Drama.

Massey, D.B. (2005) For Space. London: Sage Publications Ltd.

McGowan, T. (2003) The End of Dissatisfaction – Jacques Lacan and the Emerging Society of Enjoyment. New York: State University of New York Press.

        McLuhan, M. (2003) Understanding Media: The Extensions of Man. Berkeley: Gingko Press.

        Meade, C. (2017) if:book uk. Available at: http://www.ifbook.co.uk. (accessed 17 April 2017).

Mitchell, K (2008) The Director’s Craft: A Handbook for the Theatre. New York: Routledge.

        Mountford, C., Roberts, A., 1989. The Dawn of Time: Australian Aboriginal Myths. Adelaide: Littlehampton Book Services Ltd.

Muecke S. & Shoemaker A (2004) Aboriginal Australians – First Nations of an Ancient Continent, London; Thames & Hudson.

Myers, J. (2016) The Future of Men: Masculinity in the Twenty-First Century. San Francisco, CA: Inkshares.

        Myerson, Julie. (2004) Home. The story of everyone who ever lived in our house. London: Flamingo.

        Nuttall, J. (1980) Performance Art: Memoirs v. 1. , London, Dallas: Calder Publications Ltd.

O’Farrell, M. (2016) This Must Be the Place. London: Tinder Press.

Ong, Walter, J. (2002) Orality and Literacy: The Technologizing of the Word New York: Routledge.

Parody, C. (2011). A theory of the transmedia franchise character, Liverpool: University of Liverpool.

Pattison, P. (2011) Songwriting Without Boundaries: Lyric Writing Exercises for Finding Your Voice. Ohio: Writer’s Digest Books.

Perry, P. (2012) How To Stay Sane: The School of Life. London: Macmillan.

        Pullinger, K. (2014) Landing Gear. London: Kate Pullinger Books.

Rheingold, H. (2002) Smart Mobs: The Next Social Revolution,  Cambridge M.A.: Basic Books.

Rivera, J. (2010) Book Publishing 10 Years in the future. Available at:http://www.mediabistro.com/galleycat/smashwords-book-publishing-10-years-in-the-future_b10814 (accessed 17 April 2017).

        Rose, F. (2012) The Art of Immersion: How the Digital Generation is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories. London:  W.W. Norton & Company.

Ryan, M. (2004) Narrative Across Media: The Languages of Storytelling (Frontiers of Narrative). Nebraska:University of Nebraska Press.

        Ryan, M. (2013) ‘Fictional Worlds in the Digital Age’ in Siemens, R., Schreibman, S. (Eds.), A Companion to Digital Literary Studies, R. Chichester, West Sussex: Wiley-Blackwell.

        Sarup, M. (1993) An Introductory Guide to Post-Structuralism and Postmodernism, Athens: University of Georgia Press.

Seidler, V. (2010) The Achilles Heel Reader Men, Sexual Politics and Socialism. London: Routledge.

Sinclair, I. (2003) Lights Out For The Territory, London: Penguin.

        Smith, A. (2015) How To Be Both, London: Penguin. 

Solnit, R. (2014) The Faraway Nearby. London:Granta.

Spiller, N. (2002). Cyber Reader: Critical Writings for the Digital Era by Neil Spiller. London:Phaidon Press.

Thomas, K., 1978. Religion and the Decline of Magic: Studies in Popular Beliefs in 16th and 17th Century England. Harmondsworth; New York: Penguin Books Ltd.

Toop, D. (2016) Into the Maelstrom: Music, Improvisation and the Dream of Freedom. New York, NY: Bloomsbury Academic.

Toop, D. (2005) Haunted Weather: Music, Silence, and Memory. London: Five Star.

Wardrip-Fruin, N. and Harrigan, P. (2006) First Person: New Media as Story, Performance and Game. MIT Press.

Wright, A. (2006) Carpenteria. London; Constable.

Voeglin, S. (2010) Listening to Noise and Silence: Towards A Philosophy Of Sound Art. New York: Continuum.

Voeglin, S. (2014) Sonic Possible Worlds. New York: Bloomsbury Academic.

Wilkinson, D. (2016) Post-Punk, Politics and Pleasure in Britain. London: Palgrave Macmillan.

Wright, E. (1998) Psychoanalytic Criticism: A Reappraisal. New York: Routledge.

Yalom, I.D. (2006) Momma and the Meaning of Life: Tales of Psychotherapy. London: Piatkus.